See the Technical Index of the village |
|
WOOD : rosewood, ebony, masaï ( white wood), Nato (matt).. All the wood are guaranteed dried naturally under tiles(blows), to the workshop(studio); treated(handled) in the linseed oil, and bees-wax settles(liquidates) ( no varnish);
ADVANTAGES : the wood is fed; satiny aspect; the dust does not stick any more.
|
|
HULLS : lall our hulls are battened: technique of the latté on ribs (on couples in plywood); known well by the designers. Slats are arched on the fire(light) (candles) following the technique of the carpenters of marine of the Coopers.
BRIDGES : true paneling in rosewood (slats 6 cms in length); caulking hulls and bridges obtained by darkening the wood glue. DETAILS WOOD : rosewood / ebony (superstructure - masts - yards - pulleys - cadènes).
|
DETAILS METAL : thread of shaped, welded and painted copper. LEAD : artillery and caronnades molded to the workshop(studio) + paint(painting) tans(sunbathes).
FIGUREHEADS and BACK CASTLES : sculptured in rosewood or ebony. |
ROPES : Shrouds, halyards, listening in thread nylon for a perfect holding(dress) in the time(weather). BASES : rosewood with engraved plaques and stalks copper of fixation(binding) hull. VEILED : Tinged cotton following the models (tea, coffee, vegetable dyes).
|
GENERAL ASPECT : Respect for plans in 100 % - real rigging - no simplification - finishes excessively been looked after every model is accompanied with a historic visiting card of some lines engraved in the laser on wood
PACKAGING: a particular care is given to the packaging : Protection by foam sheet sheathes plastic anti-dust doubles cardboard industry individual export or box laminated in slide channel. |
|